For Nicholas of Cusa, excellence, worship, law and discipline are not the ways to arrive at divine wisdom and eternal life; instead, virtuous life, keeping the commandments, sensible devotion, mortification of the flesh, scorning the world, and everything that shows love and fear of God are the true ways. These points, which were considered essential to strengthening the religious experience for church members and leading the soul to knowledge of God, had been insisted upon already by thinkers before Cusanus, from (...) Wycliffe to Hus, and including the authors of Devotio Moderna.. (shrink)

Suarez's psychology starts from the triple Aristotelian distinction of the soul: vegetative, sensitive and rational. Having appreciated the need and function of the agent and possible intellects in the human knowledge, especially in the universal ones, we have proceeded to analyse its essential characteristics. The agent intellect is presented as a noncognizant faculty limited to the lighting of images and the production of species.

Andreu Nin defines fascism and analyses its class nature, challenging the notion that fascism’s aims match its rhetoric. While recruiting from among Italy’s middle classes, the petite bourgeoisie, it ultimately serves the big bourgeoisie objectively.

Grau and Pury (Review of Philosophy and Psychology, 5, 155–168, 2014) reported that people’s views about love are related to their views about reference. This surprising effect was however not replicated in Cova et al.’s (in press) replication study. In this article, we show that the replication failure is probably due to the replication’s low power and that a metaanalytic reanalysis of the result in Cova et al. suggests that the effect reported in Grau and Pury is real. (...) We then report a large, highly powered replication that successfully replicates Grau and Pury 2014. This successful replication is a case study in the challenges involved in replicating scientific work, and our article contributes to the discussion of these challenges. (shrink)

Historical discourses in cinema have generally given rise to cinematographic genres. In Chilean fiction films, however, a different scope is necessary to study its discourses. This essay proposes that it is possible to recognize three main aesthetic strategies by which Chilean fiction films use historical discourse in order to produce certain “verisimilitude effects”: contextual comment, hegemonic or counterhegemonic reinforcement, and narrative subordination.

The Oxford Handbook of the Philosophy of Love offers a wide array of original essays on the nature and value of love. The editors, Christopher Grau and Aaron Smuts, have assembled an esteemed group of thinkers, including both established scholars and younger voices. The volume contains thirty-three essays addressing both issues about love as well as key philosophers who have contributed to the philosophy of love, such as Plato, Kierkegaard, Schopenhauer, and Murdoch. The topics range from central issues about (...) the nature and variety of love, the possibility of its rational justification, and whether it is an emotion, to the significance of love for law, economics, morality, and free will. The volume also contains an introduction to the subject as well as essays on love’s relation to jealousy, biotechnology, religion, knowledge, and several other topics. This wide-ranging handbook will be a key resource for specialists working on the philosophy of love, and a helpful guide for those looking to learn more about the area. (shrink)

Como ha ocurrido con la COVID-19, el significado que se le ha dado a los conceptos de salud y, aún más, de enfermedad, ha sido el médico, clínico para ser más preciso. Lo cual es comprensible. No en vano son muchos los siglos de curar y cuidar a las personas dolientes o impedidas, o de tratar de hacerlo. Pero comprensible no es del todo sinónimo de lógico. Porque se trata de términos, sino polisémicos, por lo menos anfibológicos. Incluso desde el (...) ámbito mismo de la sanidad. (shrink)

Pese a pertenecer a tradiciones distintas y haberse originado en momentos diferentes, la filosofía de la individuación de Gilbert Simondon y la corriente conocida en la filosofía de las ciencias cognitivas con el nombre de enactivismo comparten algunas características e intereses comunes. Ambas coinciden en su voluntad de integrar diferentes dominios del conocimiento, así como en algunos elementos de su aproximaciones a nociones como las de de emergencia y autonomía, y en su tratamiento general de las relaciones entre cognición, percepción (...) y acción. Mediante una comparación entre las ideas fundamentales los dos enfoques, trato de mostrar que el enactivismo podría beneficiarse de un acercamiento a las ideas expuestas por Simondon en sus obras fundamentales a diferentes niveles: por un lado, en la medida en la que la filosofía de la individuación ofrece una ontología fundamental más adecuada a los planteamientos enactivistas que la ontología individualista implícita en mucha de la filosofía de la mente contemporánea; pero también a un nivel más específico y concreto, ya que Simondon plantea con cierto detalle en sus obras algunas cuestiones importantes que el enactivismo ha empezado a abordar en los últimos años. (shrink)

Margarita Diaz-Andreu offers an innovative history of archaeology during the nineteenth century, encompassing all its fields from the origins of humanity to the medieval period, and all areas of the world. The development of archaeology is placed within the framework of contemporary political events, with a particular focus upon the ideologies of nationalism and imperialism. Diaz-Andreu examines a wide range of issues, including the creation of institutions, the conversion of the study of antiquities into a profession, public memory, (...) changes in archaeological thought and practice, and the effect on archaeology of racism, religion, the belief in progress, hegemony, and resistance. (shrink)

In the twenty-first century, with steadily increasing production and consumption of the zombie genre, academic interest in it is also growing. Scholars seek to explain the phenomenon, frequently focusing on the living dead and mostly seeing the figure of the zombie as an expression of the anxieties besetting contemporary society. In particular, its popularity can be interpreted as a response to the escalating climate of terror since the 9/11 attacks in 2001, after which media reporting has routinely been permeated with (...) images of death and destruction,1 constantly drawing attention to the insecurity that threatens to turn the American dream into a nightmare.2There is no shortage of authors who have emphasized the... (shrink)

The Oxford Handbook of Philosophy of Love offers a wide array of original essays on the nature and value of love. The editors, Christopher Grau and Aaron Smuts, have assembled an esteemed group of thinkers, including both established scholars and younger voices. The volume contains thirty-three essays addressing both issues about love as well as key philosophers who have contributed to the philosophy of love, such as Plato, Kierkegaard, Schopenhauer, and Murdoch. The topics range from central issues about the (...) nature and variety of love, the possibility of its rational justification, and whether it is an emotion, to the significance of love for law, economics, morality, and free will. The volume also contains an introduction to the subject as well as essays on love’s relation to jealousy, biotechnology, religion, knowledge, and several other topics. This wide-ranging handbook will be a key resource for specialists working on the philosophy of love, and a helpful guide for those looking to learn more about the area. (shrink)

Estas páginas plantean una serie de problemas que, a mi parecer, los sujetos de la emancipación colectiva deben de tener muy presentes para reconstruir sus idearios en el umbral del tercer milenio, después de las derrotas y de los fracasos del siglo XX. Aprovechando que se cumplen diez años de la muerte de Raymond Williams (1921-1988), he creído oportuno homenajear a este testigo excepcional de nuestro siglo haciendo una revisión de los problemas que acordó en los últimos años de su (...) vida. Problemas que ensombrecen más, si cabe, las perspectivas de conseguir una humanidad justa en un planeta habitable. Me estoy refiriendo a la manipulación informativa, a la mercantilización de la cultura y a los nefastos efectos antropológicos que la industria audiovisual puede ocasionar al estar controlada por grupos de poder intrínsecamente antidemocráticos. Estos n u e v o s problemas son los que, a mi juicio, dificultan la tarea de construir respuestas colectivas a los viejos problemas. Raymond Williams supo acotar sus análisis con rigor e intentó vislumbrar soluciones -siempre relativas y parciales- con humildad y cautela. (shrink)

Robert Kraut has proposed an analogy between valuing a loved one as irreplaceable and the sort of “rigid” attachment that (according to Saul Kripke’s account) occurs with the reference of proper names. We wanted to see if individuals with Kripkean intuitions were indeed more likely to value loved ones (and other persons and things) as irreplaceable. In this empirical study, 162 participants completed an online questionnaire asking them to consider how appropriate it would be to feel the same way about (...) a perfect replica of a loved one, as well as other questions about replaceability. Participants who previously had endorsed Kripkean reference (n = 96) rated loved ones as less replaceable on two different measures than participants who had previously endorsed Descriptivist reference (n = 66, t(160)> 2.27, p <.02, eta2> .03). Additional results suggest that this difference extends to other targets as well and is at least partially dependent on sentimental attachment. (shrink)

The topic of this paper concerns the relation between thinking and phenomenality as it is discussed in the Philosophy of Mind. Thus, I am addressing the following questions: does the domain of phenomenal consciousness include thinking? And if so, is the phenomenality of thinking (PT) proprietary or not? I will firstly present the debate and the main notions involved in it, by contrasting a certain mainstream picture of the mind with the one offered by Phenomenology. Second, I will consider the (...) particular question of a proprietary phenomenology of conscious thought through the examination of the reductionist and antireductionist positions, concluding with a sceptical remark towards this dialectics. (shrink)

This is the first book to explore and address the philosophical aspects of Eternal Sunshine of the Spotless Mind. Beginning with a helpful introduction that places each essay in context, specially commissioned chapters examine the following topics: -/- * Philosophical issues surrounding love, friendship, affirmation and repetition * The role of memory (and the emotions) in personal identity and decision-making * The morality of imagination and ethical importance of memory * Philosophical questions about self-knowledge and knowing the minds of others (...) * The aesthetics of the film considered in relation to Gondry’s other works and issues in the philosophy of perception. (shrink)

In this essay I argue that the film Eternal Sunshine of the Spotless Mind eloquently and powerfully suggests a controversial philosophical position: that the harm caused by voluntary memory removal cannot be entirely understood in terms of harms that are consciously experienced. I explore this possibility through a discussion of the film that includes consideration of Nagel and Nozick on unexperienced harms, Kant on duties to oneself, and Murdoch on the requirements of morality.

In this paper I discuss whether there is a specific experience of thinking or not. I address this question by analysing if it is possible to reduce the phenomenal character of thinking to the phenomenal character of sensory experiences. My purpose is to defend that there is a specific phenomenality for at least some thinking mental states. I present Husserl's theory of intentionality in the Logical Investigations as a way to defend this claim and I consider its assumptions. Then I (...) present the case of understanding as a paradigmatic case for the phenomenal contrast argument and I defend it against two objections. (shrink)

Las discusiones sobre la intencionalidad en la Filosofía de la mente contemporánea se plantean en un marco un tanto ajeno al de la Fenomenología, bajo la suposición, de modo bastante generalizado, de que hay una separación entre intencionalidad y consciencia . Mi objetivo en este artículo es, en primer lugar, exponer tal supuesto. En segundo lugar, presentar los elementos clave de la teoría de la intencionalidad en las Investigaciones Lógicas de Husserl para presentar una visión que se opone a tal (...) separación. Y, en tercer lugar, finalizar con un tema común a ambos espacios de discusión, el de una experiencia o vivencia propia del pensamiento, que surge como un problema para muchas visiones analíticascontemporáneas y que tiene una explicación que puede derivarse de la concepción de Husserl.In contemporary Philosophy of mind, discussions about intentionality areset up in a quite different framework from the phenomenological one, assuming, in general, a separation between intentionality and consciousness. My aim in this paper is, firstly, to present this assumption. Secondly, I will put forward the key elements of Husserl's theory of intentionality in the Logical Investigations in order to present a view which is opposed to this assumption. And thirdly, I will end up with a common topic for both frameworks, that is, the topic of a specific experience of thinking, which emerges as a problem for many contemporary analytic views and which has an explanation that can be derived from Husserl's conception. (shrink)

A unique and interdisciplinary collection in which scholars from Philosophy join those from Film Studies, English, and Comparative Literature to explore the nature and limits of love through in-depth reflection on particular works of literature and film.

This book proposes an approach to Eurocentrism as a paradigm of knowledge production and interpretation rooted in the Western narrative of modernity and its racial governmentalities. It contributes to the critique of the contemporary workings of Eurocentrism and racism that have frustrated the struggles for the decolonization of knowledge and continue to shape our understandings of the world order in racially hierarchical terms, by re-centering the West/Europe"--Provided by publisher.

Alain Grau La double homoousie confessée par le concile de Chalcédoine est sans doute un des concepts parmi les plus difficiles légués par la tradition dogmatique. Que peut signifier que le Christ soit homoousion à nous, et à chacun d’entre nous? Peut-on, sans dommage pour la raison, donc univoquement, passer de la compréhension trinitaire, classique depuis Nicée, à une application anthropologique? Si tel est le cas, il faut donner à la seconde homoousie une intelligibilité située au croisement de la (...) théologie et de l’économie, dont le centre géométrique se trouve en He 5,8. La christologie ne peut donc plus être pensée à partir de deux natures soi-disant connues — ne serait-ce que métaphysiquement — dont il suffirait de comprendre le mode de conjonction dans le Christ, mais uniquement sur le plan hypostatique selon sa double définition. L’hypothèse de l’univocité de la confession chalcédonienne qui est nôtre offre une signification à la divinisation en découvrant son lieu propre, à condition de définir à nouveaux frais la notion d’hypostase, étant entendu que celle-ci est celle du Verbe dans cet homme « parfait » qui est Jésus. (shrink)

Alain Grau | : Au légiste qui l’interroge sur ce qu’il faut faire, Jésus répond : « Comment lis-tu? » À nous qui lisons, la question n’est pas sans poser le problème de savoir quel corps nous formons par cette lecture. La « personnalité corporative » pourrait constituer une réponse, pourvu toutefois qu’elle soit dépouillée de tous ses attributs classiques : psychologique, religieux, ou encore littéraire. Sans contenu objectif, elle n’en est pas moins opératoire. Mais en figure seulement, qui (...) attend d’être comblée par la chair pour devenir vraie. La Chair de Jésus, et la nôtre. L’avenir de cette vieille notion ne serait-il pas la grâce divine? | : To the expert in the law who asks Him what to do, Jesus replies: “How do you read?” For us who do read, the question is not without posing the problem of knowing what body we form by this reading. The “corporate personality” could provide an answer, but on the condition that it be stripped of all its classical attributes : psychological, religious, or literary. Even deprived of any objective content, it is none the less operational. Yet only figuratively, waiting to be fulfilled by the flesh to become true. The Flesh of Jesus, and ours. Might not the future of that old notion be divine grace? (shrink)

In order to explore the political and transformative potential of bodies in relation to gender and affects, I discuss how bodies, gender and politics are entangled through the figuration of ‘overflown bodies’. Departing from a material-discursive feminist conceptualisation of bodies, ‘overflown bodies’ are assemblages embedded in complex relationships of matter, discourse, emotions, affects, ideologies, protest, norms, values, relations, practices, expectations and other possibilities of (for) social and political action. Three ethnographic cases illustrate how ‘overflown bodies’ assemble matter and discourse, and (...) how matter, bodies and gender matter. They are used to explore the political possibilities of gendered bodies and show how matter is entangled, embedded and assembled with our politics of being. The three cases interrogate the limits and boundaries of bodies and the modes and modalities of (political) agency. Finally, the article argues that it is through visibility and recognition that ‘overflown bodies’ become critically and creatively transforming, which can be useful for addressing issues related to exclusion, domination, political emancipation and social transformation. (shrink)

In his essay “The Human Prejudice” Bernard Williams presented a sophisticated defense of the moral relevance of the concept “human being”. Here I offer both an analysis of his essay and a defense of his conclusions against criticisms made by Julian Savulescu and Peter Singer. After a discussion of the structure of Williams’s argument, I focus on several complaints from Savulescu: that Williams underestimates the similarities between speciesism and racism or sexism, that Williams relies on a disputable internalism about reasons (...) to make his case, that Williams ignores the arbitrariness of species membership, and (a complaint also made by Singer) that Williams attacks a straw man in considering only negative utilitarianism when criticizing the idea of an Impartial Observer. I defend Williams against these charges and end with a brief discussion of how his alien invasion example illustrates the fundamentally different philosophical sensibility of Bernard Williams in comparison to critics like Savulescu and Singer. (shrink)

American History X (hereafter AHX) has been accused by numerous critics of a morally dangerous cinematic seduction: using stylish cinematography, editing, and sound, the film manipulates the viewer through glamorizing an immoral and hate-filled neo-nazi protagonist. In addition, there’s the disturbing fact that the film seems to accomplish this manipulation through methods commonly grouped under the category of “fascist aesthetics.” More specifically, AHX promotes its neo-nazi hero through the use of several filmic techniques made famous by Nazi propagandist Leni Riefenstahl. (...) Now most critics admit that, in the end, the film claims to denounce racism and attempts to show us the conversion of the protagonist to the path of righteousness, but they complain that nonetheless the film (perhaps unintentionally) ends up implicitly promoting the immoral worldview it rather superficially professes to reject in its final act. This charge of hypocrisy is connected to another worry: the moral conversion in the film is said to fall flat because the intellectual resources on display to support the character’s racism are not counterbalanced by equally explicit (but superior) arguments for the anti-racist position ultimately embraced by the character. In other words, just as the devil is said to get all the good lines in Milton’s Paradise Lost, in AHX the racists get all the arguments. This has been taken to be a morally problematic flaw of the film. Critics lament that Derek’s conversion seems to result not from relevant logical inferences and valid rational argumentation but from overly simplistic and arguably egoistic insights (e.g., “has anything you've done made your life better?”) combined, perhaps, with a hackneyed cliché (in prison, one of his best friends is a black person!) In this paper I’ll attempt to rebut these charges and defend the film as a powerful, and powerfully moral, work of art. I’ll be suggesting that the seductive techniques employed allow for many viewers a degree of sympathy towards the protagonist that is crucial, both for making that character’s more horrific actions especially unsettling, and also for making his eventual conversion plausible and ultimately compelling. I’ll also argue that the manner in which his conversion is presented is in fact subtler than many critics have allowed: Derek’s transformation is not artificial or implausible but is depicted as resulting from a cumulative series of emotionally powerful life events and personal engagements. It is certainly true that it is not represented in the way some would seemingly have preferred, i.e. as straightforwardly resulting from a process of gradual intellectual improvement in Derek’s reasoning on questions of race and politics. However, I’ll argue that the decidedly emotional basis of his moral evolution is both refreshingly realistic and no hindrance to accepting his conversion as rational. Finally, properly understanding the legitimacy of the emotional foundations of much moral thought will also allow us to appreciate the ways in which our initial worries about this film’s (not insignificant) ability to persuade viewers through the engagement of emotions need not, in itself, be seen as a barrier to endorsing the film as a morally praiseworthy work. (shrink)